I do. But I usually sketch them, rather than do full paintings. People are always moving and changing, so it feels like I can keep up with them if I'm just sketching.
[ Sanji he has like half a sketch book just of you, don't ask him to show you it he'd get embarrassed.
The other half is Chou. ]
It's worth considering, yes. How would you tie people together in artwork?
[Sanji would probably just congratulate Yusuke for his excellent priorities -- at least as far as his cat is concerned. Everyone's sketchbooks should be filled with pages of Chou.]
Shit, I dunno...
[HE'S A BUSINESS MAJOR AND A CHEF. And occasionally a guy who draws pictures of egg people with crippling mental anxieties. But Yusuke asked him, so Sanji puts his brain to work and considers a couple of options, eventually offering some up for discussion as he sips his coffee]
You could do a series of pictures focusing on walks of life -- gives you variety but ties the theme together. Or if you want some sentimental shit, there's drawing people who have had some impact on you, though I dunno how you'd convey that to an audience with just art as the means.
[ He twists in his chair slightly, raising his hands to make a photo frame with his fingers. This scene, right here and now is exactly the sort of thing he’d want to capture. Real, and gentle. There’s nothing poised or faked about the curl of steam from their coffee mugs, the creases in Sanji’s sleepwear and the just-awake sleepiness clinging to the edges of his eyes. ]
Lighting, for example. This scene would require the same soft morning light in the painting, but I would probably soften and blur it a little more to give it an almost dream-like, sleepy quality. Soft colours, and a gentle palette makes the whole thing seem fond.
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no subject
[ Sanji he has like half a sketch book just of you, don't ask him to show you it he'd get embarrassed.
The other half is Chou. ]
It's worth considering, yes. How would you tie people together in artwork?
no subject
Shit, I dunno...
[HE'S A BUSINESS MAJOR AND A CHEF. And occasionally a guy who draws pictures of egg people with crippling mental anxieties. But Yusuke asked him, so Sanji puts his brain to work and considers a couple of options, eventually offering some up for discussion as he sips his coffee]
You could do a series of pictures focusing on walks of life -- gives you variety but ties the theme together. Or if you want some sentimental shit, there's drawing people who have had some impact on you, though I dunno how you'd convey that to an audience with just art as the means.
no subject
[ He twists in his chair slightly, raising his hands to make a photo frame with his fingers. This scene, right here and now is exactly the sort of thing he’d want to capture. Real, and gentle. There’s nothing poised or faked about the curl of steam from their coffee mugs, the creases in Sanji’s sleepwear and the just-awake sleepiness clinging to the edges of his eyes. ]
Lighting, for example. This scene would require the same soft morning light in the painting, but I would probably soften and blur it a little more to give it an almost dream-like, sleepy quality. Soft colours, and a gentle palette makes the whole thing seem fond.